Oil paint is central to my practice — its forgiving nature, the richness of its color, and the timeless quality it brings to a surface. Working on premium linen canvas, in earthy tones of raw umber, burnt sienna, and yellow ochre, I paint with a palette knife, building up texture in layers that mirror the roughness of unfinished concrete and exposed rebar. Figures are often integrated into scenes of incomplete construction, a visual language that reflects Khartoum's dusty atmosphere and its quietly apocalyptic undertone — a city perpetually caught between building and ruin.

As a self-taught artist, my practice has been shaped through independent exploration, experimentation, and sustained curiosity. Without a formal artistic pathway, mentorship came from a range of sources — artists, curators, and writers — each offering distinct perspectives rather than a single prescribed method. This openness allowed the work to evolve organically, informed by dialogue, observation, and critical exchange. Over time, these varied influences have strengthened discipline, sharpened voice, and grounded the practice in both autonomy and continual learning.